Did You Know

The Suprising Legal History Of The Popular “Happy Birthday To You” Song

We all know it; the simple, universal song sung millions of times a day and by millions of people around the world. It’d however interest to know that for decades, “Happy Birthday to You” wasn’t just a tune, it was a profit udder illegally milked by a music group. The “Happy Birthday to You” song was originally “A classroom song” written in 1893 by two sisters, Mildred and Patty Hill, who happened to be kindergarten teachers from Kentucky and they originally composed it as a classroom greeting titled “Good Morning to All” with the lyrics going thus: “Good morning to you, Good morning to you, Good morning, dear children, Good morning to all.” Over time, children and teachers began swapping the words to say “Happy Birthday to You” and by the early 1900s, it had become the go-to birthday anthem we know today. The Copyright Controversy The whole issue started when Clayton F. Summy Co., the publisher of the Hill sisters’ songbook, claimed ownership of both the melody and later lyrics. Then after a series of acquisitions, Warner/Chappell Music ended up owning the rights enforced it aggressively for decades by ensuring that movie studios, TV shows, restaurants, and even ads had to pay to use the song. It is reported that the licensing fees reportedly amounted to over $2 million per year for Warner/Chappell. It is also reported to have been the reason why movies like Bend It Like Beckham or Miss Congeniality used awkward “birthday-ish” songs instead since they couldn’t afford the heavy illegal licensing fee. The Lawsuit That Changed Everything The turning point however started in 2013, when documentary filmmaker, Jennifer Nelson was charged $1,500 to use the Happy Birthday song in her film which happens to be a movie about the song’s history. It was at this point that the copyright claim for invalidity was raised. This unravelled the truth that Warner/Chappell only owned the specific piano arrangements, not the lyrics or melody itself, and that the lyrics had actually been published without a valid copyright notice long before Warner’s claim. Thus, in 2016, a U.S. federal judge ruled in Nelson’s favor, declaring that “Happy Birthday to You” belongs in the public domain and everyone could use freely without legal trouble. Warner/Chappell was also made to agree to a $14 million settlement to reimburse people who had paid licensing fees and this case went on to became a landmark for music copyright law by reiterating the idea that some art actually belongs to everyone. @Alaro Basit
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Rejected Songs Turned Global Hits

Here are instances where one artist’s pass became another’s global smash; Rihanna’s “Umbrella” Producer Tricky Stewart confirmed that the track was shopped around before Rihanna recorded it. Among the artists it was first pitched to included Britney Spears and Mary J. Blige who both turned it down before Rihanna grabbed it and made a breakout smash out of it. “Shape of You” originally for Rihanna Ed Sheeran confirmed that the song was originally written with Rihanna in mind during the writing sessions for ÷ (Divide), but he ended up keeping it and releasing it himself. Truthfully, the song’s vibe and lyrical idea fit what he imagined for her.Britney Spears’ anthem “…Baby One More Time” offered to TLC and others first Max Martin and his team initially pitched the demo to groups like TLC and the Backstreet Boys, and even the UK boyband Five passed on it but they all rejected it before it landed with Britney Spears, who made it a global phenomenon. This is a testament to the fact that hits often have a wild history as many songs written for one artist but rejected eventually turned into career-defining hits for another artist.
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Music Licensing and Sync Deals: The Hidden Goldmine Artists Are Finally Tapping Into

Most people think streaming is where artists make their money, but the real fortune actually lies behind the scenes of music licensing and sync deals. This is evident in the context of Afrobeats artists like: • Tems – “No Woman, No Cry” (Black Panther: Wakanda Forever)Her emotional delivery on the song helped define the movie’s tone hereby landing her massive licensing payout plus global attention. • Rema – “Calm Down”Beyond being a hit, Calm Down has been licensed for international ads and campaigns. This means more money for the young Afrobeats talent. • Burna Boy – “Destiny”Featured on Barack Obama’s playlist and multiple documentaries, showing how African music is being woven into global storytelling, Burna Boy is making making money off that track due to sync deals. How It Works • Music Supervisors Search for a Track: A film or brand looks for the perfect sound. • License Negotiation: The artist, label, or publisher agrees to terms and usage. • Payment: The artist receives an upfront sync fee, and continues to earn royalties whenever the song airs. • Split Between Rights Holders: Both the writer/publisher and the recording owner (often the label) get paid. That’s why owning your masters is such a big deal, it means you control your licensing income. Key Takeaways for Artists • Register with a Performance Rights Organization (PRO) like ASCAP, BMI, PRS, or COSON. • Add your songs to sync libraries like Artlist, Musicbed, or Epidemic Sound. • Keep an instrumental version of each track ready — many syncs prefer vocals light or clean. • Build relationships with music supervisors; they’re the gatekeepers to placements. The drill is, music licensing isn’t just about exposure, it’s a career game-changer. From Lagos to Los Angeles, artists are realizing that one song in the right film or ad can make more than a million streams ever will. In today’s music economy, as an artist, your next big break might not be a hit single, it might just be a sync deal. Written by Alaro Basit
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Jimi Hendrix and the Flaming Guitar

Jimi Hendrix and the Flaming Guitar The Monterey International Pop Festival, California, 1967. This was to be Hendrix’s one shot at a breakthrough in the U.S as he was only mostly making waves in the UK. Also, considering the fact that the festival also featured huge rock names like Janis Joplin, Otis Redding and The Who who happened to be his agelong rival, Hendrix knew he had to do something spectacular to stand out since The Who already left an impression by smashing their guitars on stage just before Jimi’s performance came up. How the insanity unfolded • Hendrix had already lerformed an electrifying set that already had the crowd crazy and buzzing. • At the finale, he carefully set his guitar down, doused it in lighter fluid, and set it ablaze. • But he didn’t just light it and walk away, he knelt down with it and coaxed the flames as if in a ritual, hereby creating one of the most iconic images in music history. • When questioned about it, Hendrix said he already had it planned out after the altercation backstage with The Who about who is to perform first • A coin was tossed in favour of The Who after which Hendrix began hunting around backstage for some lighter fluid. • As Hendrix would later explain: “I decided to destroy my guitar at the end of a song as a sacrifice. You sacrifice things you love. I love my guitar.” How this carved him a legacy • The guitar itself, a 1965 Fender Stratocaster became a priceless piece of music history as it was later valued for thousands of dollars. • Hendrix’s fiery act became one of the most iconic moments in rock history, marking the moment he arrived as a legend.
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Hans Landa – Inglourious Basterds

Christoph Waltz’s performance as Colonel Hans Landa in Quentin Tarantino’s Inglourious Basterds (2009) is considered one of the greatest villain portrayals in modern cinema as far as alternate history and the world war two is concerned. The drill about the language aspect: • Hans Landa speaks four languages in the film: German, French, English, and Italian. • Waltz was already fluent in German, English, and French before filming. • But for the Italian scenes (where Landa mocks the Basterds’ disguises), he learned just enough to deliver his lines convincingly. • Tarantino attested that it felt like Waltz was a “gift from God” because the role required one actor who could deliver flawlessly in multiple languages. • Before Waltz auditioned, Tarantino admitted that he feared the film might collapse because no one else could pull it off. • This multilingual performance earned Waltz’s the Academy Award for Best Supporting Actor, BAFTA Award, Golden Globe Award and the Cannes Best Actor which he actually won even before the film hit global release. • For Waltz, the role was career-changing as he was predominantly known as a TV actor in Europe before he starred in Inglourious Basterds.
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The World’s Largest Music Festival – The Donauinselfest

The Donauinselfest (Danube Island Festival) Bigger than any Coachella, Glastonbury, or Rock in Rio, what makes the Donauinselfest wild is that unlike festivals such as Coachella or Glastonbury which cost hundreds of dollars per ticket and host under 200,000 people, Donauinselfest is completely free. Key Notables • The festival is held on Danube Island which is a long stretch of land in the middle of the Danube River. • It features dozens of stages covering everything from rock and pop to jazz, EDM, and folk. • Major international stars like Shakira, Robbie Williams, and Bob Dylan have performed there, alongside local Austrian acts. • To put it in perspective — 3.3 million people is larger than the entire population of Jamaica or Qatar, all partying on a single island for three days! The last Donauinselfest took place from June 20th to 22nd, 2025 while the next one takes place from July 3rd to 5th, 2026 to avoid clashing with the Austrian Grand Prix. So if you’re opportuned, you can add up to its already massive attendance!
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Music Fun Facts – Kanye West’s Surgery

That’s right! On the 23rd of October, 2002, while driving back home from a late studio session in Los Angeles, Kanye West dozed off behind the wheels and collided head-on with another moving vehicle. This landed him a shattered jaw in three different places, difficulty in speaking due to the excruciating pain and a jaw almost slammed shut by doctors as a form of treatment and reconstructive surgery. But here comes the brain-burster! • Instead of resting and waiting to heal. Kanye started writing “Through the Wire” just 3 three days after the accident and went back to the studio just two weeks after to record the track. • With a jaw wired shut, Ye still went ahead to record “Through the Wire” with his mouth barely opening. • The song samples Chaka Khan’s “Through the Fire” and buttresses Kanye’s point of making art even when physically broken. • The track became the launchpad for his career as it convinced his label, Roc-A-Fella Records, to allow him to release his debut solo album titled The College Dropout (2004). • In turning a near-death experience into music that turned the tables of Hip-hop forever, Kanye’s feat forever goes down as a practical example of passion overriding pain.
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Music Fun Fact – Frisson

What is Frisson? Frisson is a French word that translates to “shivers ” or “thrills” and it refers to that intense, goosebump-inducing feeling you get when music suddenly hits hard — like when the beat drops, when the choir swells, or when a singer hits a mind-blowing note. What is the Science Behind this? When frisson happens, it’s simply your brain releasing dopamine — the same chemical tied to reward, motivation, and pleasure. What Triggers It? It is usually triggered by sudden changes in musical dynamics i.e, sudden loudness, unexpected harmonies or key changes. Emotional vocals that sound raw or vulnerable & lyrics that resonate deeply with your personal life may also trigger frisson. N.B – It should however be noted that not everyone experiences frisson. Studies show that only about two-thirds of people get it from music, and those who do often have stronger connections to art, higher levels of empathy, or more active brain pathways linked to emotion. Takeaway lesson In essence, frisson shows us that music isn’t just entertainment, but also biological and universal. It proves that sound can move us on a chemical, physical, and emotional level.
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Did You know

Did You know Most Skipped Tracks on streaming platforms That’s right, “Intro” tracks on most albums are the most skipped track — often within the first 5 to 15 seconds. Infact, many Afrobeats albums include skits or spoken-word intros that fans skip in favor of the vibe-heavy tracks. This happens because of one or more of the reasons spelt put below: • Listeners Are ImpatientPeople nowadays stream music like their going through a TikTok page. Hence, one a track doesn’t hook immediately, they skip. Intro tracks however falls into this category as most intro tracks are usually slow builds, instrumentals, or spoken word. Most people want instant energy or emotion. • Intros that don’t immediately feature the artist’s voice.An example is “Start” on Asake’s Lungu Boy. • People Already Know What Song They WantMost listeners already have an idea what they want to listen to either through tiktok, radio or playlists so they just skip the intro. • Playlists Have Trained Our EarsWe’ve become used to curated playlists with back-to-back bangers that intros now feel like a delay or unwanted part of the gem. @Alaro Basit
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Did You Know

.Did you know that Africa never had a music category at the Grammy Awards until 2024? That’s right! The first ever African music category at the Grammy Awards known as “Best African Music Performance” never existed until last year when Tyla, the South African music star, won it with her song titled “Water”. The award seeks to celebrate Afrobeats, Amapiano, and other African styles on the global stage, and other nominees for this particular award included Asake & Olamide’s “Amapiano”, Burna’s “City Boy”, Davido ft Musa Keys’ “Unavailable” and Ayra Starr’s “Rush”. This matters a lot because it is the first Grammy award category to be dedicated specifically to African music and it purports to celebrate African music genres including Afrobeats, Amapiano, Afro-fusion, Highlife, Gqom and the likes.  It doesn’t look like much but it marks the formal recognition of Africa’s cultural and economic influence in global music. Overtime, African artists had been dominating streaming charts, and selling out concerts but never had a global music award of their own until 2024. It should however be noted that some African artists, like Wizkid and Burna Boy, had already won Grammys before this category existed. @Alaro_Basit
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